Başlık:
Drama techniques : a resource book of communication activities for language teachers
Yazar:
Maley, Alan, 1937-
ISBN:
9780521601191
Ek Yazar:
Edition:
3. bsk.
Yayım Bilgisi:
Cambridge ; New York : Cambridge University Press, 2005
Fiziksel Tanım:
x, 246 s. : res., tbl. ; 23 cm.
Series:
Cambridge handbooks for language teachers
Cambridge handbooks for language teachers.
Corporate Subject:
Mevcut:*
Library | Materyal Türü | Barkod | Yer Numarası | Durum |
|---|---|---|---|---|
Searching... Pamukkale Müzikal Kütüphanesi | Kitap | 0089395 | PB 36 M24 2005 | Searching... Unknown |
Bound With These Titles
On Order
Özet
Özet
Drama Techniques Third edition is a resource book of communicative activities for language teachers. This completely revised edition of the classic title Drama Techniques provides: *150 ideas for interesting and productive fluency practice *a large selection of drama-based techniques which focus learners' attention on communicative tasks or activities *techniques suitable for all levels *clear instructions for the teacher *advice on how to use the techniques in the classroom
Table of Contents
| Thanks and acknowledgements | p. x |
| Introduction | p. 1 |
| 1 Getting ready | p. 6 |
| Non-verbal warming-up activities | p. 7 |
| 1.1 Handshakes | p. 7 |
| 1.2 Hand catching | p. 8 |
| 1.3 Mirror hands | p. 9 |
| 1.4 Numbers in your head | p. 11 |
| 1.5 Clap around the circle | p. 12 |
| 1.6 Swings | p. 13 |
| 1.7 Catch the ball | p. 15 |
| 1.8 Beat out that rhythm | p. 16 |
| 1.9 Touch it | p. 17 |
| 1.10 Blind | p. 17 |
| Non-verbal cooling-down activities | p. 18 |
| 1.11 Breathing | p. 18 |
| 1.12 Feeling my space | p. 19 |
| 1.13 Feeling your muscles | p. 20 |
| 1.14 From seed to plant | p. 21 |
| 1.15 Slow motion | p. 21 |
| 1.16 Just relax | p. 22 |
| 1.17 Directed relaxation | p. 23 |
| 1.18 Going with the flow | p. 24 |
| Verbal exercises | p. 26 |
| 1.19 Football wave | p. 26 |
| 1.20 Can you do this? | p. 27 |
| 1.21 The sun and the moon | p. 27 |
| 1.22 Back writing | p. 28 |
| 1.23 Gobbledy-gook | p. 29 |
| 1.24 And I'm a butcher | p. 30 |
| 1.25 Let me tell you something about X | p. 30 |
| 1.26 Something in common | p. 31 |
| 1.27 Directed group visualisation | p. 32 |
| 1.28 Childhood memories | p. 33 |
| 1.29 Personalities/celebrities | p. 34 |
| Group formation activities | p. 35 |
| 1.30 Strings | p. 35 |
| 1.31 Atom 3! | p. 36 |
| 1.32 Mix and mingle | p. 36 |
| 1.33 I've got my eye on you! | p. 36 |
| 1.34 I know what I like | p. 37 |
| 2 Observation | p. 38 |
| 2.1 Freeze! | p. 38 |
| 2.2 Back-to-back | p. 39 |
| 2.3 Say `Cheese' | p. 40 |
| 2.4 Just listening | p. 40 |
| 2.5 I said, he said, she said... | p. 41 |
| 2.6 Minimal differences | p. 42 |
| 2.7 My potato | p. 43 |
| 2.8 Kim's game | p. 44 |
| 2.9 Familiar scenes | p. 45 |
| 2.10 Like me? Like you? | p. 46 |
| 2.11 First this, then that... | p. 47 |
| 2.12 Picture memory | p. 48 |
| 3 Working with mime | p. 50 |
| 3.1 What am I doing? | p. 50 |
| 3.2 My word | p. 53 |
| 3.3 Metronome mime | p. 54 |
| 3.4 Difficulty with large or small objects | p. 55 |
| 3.5 Exchanging objects | p. 56 |
| 3.6 Taste, touch, smell... | p. 57 |
| 3.7 What time of day is it? | p. 59 |
| 3.8 Mimes from the past | p. 60 |
| 3.9 Miming a poem | p. 61 |
| 3.10 Miming noises | p. 63 |
| 3.11 Normal, slow, fast | p. 64 |
| 3.12 Hotel receptionist | p. 66 |
| 4 Working with the voice | p. 69 |
| Preparing for voicework | p. 69 |
| 4.1 Relaxation | p. 70 |
| 4.2 Physical warm ups | p. 71 |
| 4.3 Breathing | p. 73 |
| 4.4 Warming up the voice | p. 75 |
| 4.5 Preparing the articulators | p. 77 |
| 4.6 Volume | p. 78 |
| Working with the voice | p. 79 |
| 4.7 Thinking about my voice | p. 79 |
| 4.8 Changing voices | p. 81 |
| 4.9 Delayed repetition | p. 83 |
| 4.10 Working on words | p. 84 |
| 4.11 A vocal tapestry | p. 85 |
| 4.12 Shifting the stress | p. 87 |
| 4.13 Listing | p. 88 |
| 4.14 Elastic sentences | p. 89 |
| 4.15 Playing with the text | p. 92 |
| 4.16 Listen to me! | p. 95 |
| 4.17 Group orchestration of texts | p. 96 |
| 5 Working with objects | p. 99 |
| 5.1 What am I holding? | p. 99 |
| 5.2 My special object, your special object... | p. 101 |
| 5.3 Metamorphosis | p. 102 |
| 5.4 The envelope | p. 103 |
| 5.5 The all-purpose object | p. 104 |
| 5.6 Stone, wood and metal | p. 105 |
| 5.7 It meant a lot to me... | p. 107 |
| 5.8 Fashion show | p. 107 |
| 5.9 Where did you get that hat? | p. 108 |
| 5.10 Masks | p. 110 |
| 5.11 What am I bid? | p. 111 |
| 5.12 Symbols and icons | p. 113 |
| 5.13 Who's the owner? | p. 114 |
| 6 Working with visuals | p. 116 |
| 6.1 Self-portraits | p. 116 |
| 6.2 Identikit | p. 118 |
| 6.3 From my album | p. 119 |
| 6.4 Space invaders | p. 120 |
| 6.5 High points | p. 123 |
| 6.6 Portraits | p. 124 |
| 6.7 Becoming a picture | p. 126 |
| 6.8 Bringing a picture to life | p. 127 |
| 6.9 Picture sets | p. 129 |
| 6.10 Faces and places | p. 130 |
| 6.11 Split cartoons | p. 131 |
| 6.12 Mood pictures | p. 135 |
| 6.13 Pictures from music | p. 136 |
| 6.14 Recreating the scene | p. 138 |
| 6.15 Guided visualisation | p. 139 |
| 6.16 Characters from fiction | p. 142 |
| 7 Working with the imagination | p. 145 |
| 7.1 Something in common | p. 145 |
| 7.2 Statues | p. 146 |
| 7.3 Amazimbi | p. 147 |
| 7.4 Patent pending | p. 149 |
| 7.5 Making a machine | p. 150 |
| 7.6 Waking dream | p. 152 |
| 7.7 Festival | p. 153 |
| 7.8 It's against the law | p. 154 |
| 7.9 Time's arrow | p. 156 |
| 7.10 Our new constitution | p. 157 |
| 8 Working from/into words, phrases, sentences | p. 160 |
| 8.1 My favourite word | p. 160 |
| 8.2 The feel of words | p. 161 |
| 8.3 Real English or not? | p. 163 |
| 8.4 What's in a name? | p. 165 |
| 8.5 Words and movement | p. 166 |
| 8.6 Tableaux | p. 168 |
| 8.7 Praise songs | p. 169 |
| 8.8 Group story | p. 170 |
| 8.9 Off the cuff | p. 171 |
| 8.10 Mirror words | p. 172 |
| 8.11 Charades | p. 174 |
| 8.12 Split headlines | p. 175 |
| 8.13 Split exchanges | p. 177 |
| 8.14 People, places, problems and things | p. 180 |
| 8.15 Odd news | p. 182 |
| 8.16 Proverbs in action | p. 184 |
| 8.17 First lines | p. 186 |
| 9 Working from/into texts | p. 189 |
| 9.1 Mini-texts | p. 189 |
| 9.2 What next? | p. 192 |
| 9.3 Starters | p. 194 |
| 9.4 Tops and tails | p. 196 |
| 9.5 Jumbled stories | p. 198 |
| 9.6 What are they saying? | p. 200 |
| 9.7 Stop press | p. 202 |
| 10 Working from/into scenarios and scripts | p. 205 |
| 10.1 One-word dialogues | p. 205 |
| 10.2 Dialogue interpretation | p. 207 |
| 10.3 Alibi | p. 209 |
| 10.4 Just a minute | p. 210 |
| 10.5 Telephone conversations | p. 213 |
| 10.6 Conflict | p. 216 |
| 10.7 Tension | p. 218 |
| 10.8 The hole | p. 220 |
| 10.9 Role reversal | p. 222 |
| 10.10 A real bargain | p. 224 |
| 10.11 Real theatre scripts | p. 226 |
| 11 Into Performance | p. 229 |
| Benefits from performance | p. 229 |
| How to tackle the 'Play project' | p. 230 |
| Selecting a play | p. 230 |
| Getting to know the text | p. 232 |
| Warming up | p. 234 |
| Improvisation | p. 234 |
| Rehearsal | p. 235 |
| Involving everyone | p. 237 |
| A few practical considerations | p. 238 |
| Some possible sources for plays | p. 239 |
| Bibliography | p. 240 |
| Index | p. 244 |
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